Our state-of-the-art setup allows students to learn and practice both digital and traditional photography and reproduction processes in, and out, of our black and white and color darkrooms.

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Fashion photographer, photojournalist, food photographer, photo restorer, advertising photographer

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• Supportive Studio

  Life Drawing I (3)
  Printmaking I (3) OR Digital Printmaking (3)

  • 2D Design (3)

    KCPA 110

    A problem-solving course covering the principles of composition and modular design systems. Uses predominantly abstract shapes, and black, white, and achromatic gray ranges. (Students who have earned credit for VISC 110, Design I, may not use credit earned in KCPA 110 to meet graduation requirements.)

  • 3D Design (3)

    KCSF 111

    To explore the elements, principles and aesthetic concepts integral to three-dimensional design and to consider relationships between concept, process, materials, tools and technical skills. (Students who have earned credit for ARTS 120, 3-D Design, may not use credit earned in KCSF 111 to meet graduation requirements.)

  • Color (3)

    KCPA 112

    A problem-solving course that studies the properties and interactions of color and its resulting perceptual effects in pictorial space.

  • Drawing I (3)

    KCDR 131

    The process of drawing as observation and conceptualization through eye-hand coordination. Emphasizes linear construction with concern for accurate proportion and simple positive-negative/figure-ground relationships. Includes an in-depth study of linear perspective. (Students who have earned credit for VISC 112, Drawing I, may not use credit earned in KCDR 131 to meet graduation requirements.)

  • Drawing II (3)

    KCDR 132

    Emphasis on development of convincing illusion of three-dimensional objects, through the combined use of line, value, proportion, and composition. This course focuses on the further refinement of the concepts, processes, and techniques introduced in Drawing I. Expanded exploration of perspective, composition, color investigation, media exploration, and idea development within traditional subject matter will be emphasized.

  • Video (3)

    KCDM 345

    Focuses on the design and technical process of shooting digital video and computer-based editing. Students will be able to apply these techniques to their major area of study. Formerly KCVC 345

  • Digital Printmaking (3)

    KCPR 213

    Integrates computer output with traditional printmaking techniques.

• Major Studio

  • Introduction to Photography (3)

    KCPH 120

    An introduction to the fundamentals of photography and 35mm adjustable camera operation. This course includes beginning black and white film development and darkroom printing, as well as an introduction to digital capture and basic image manipulation controls.. The aesthetics of photography will be discussed in terms of its history, and artistic and technical advancements. (Students who have earned credit for VISC 212, Photography, may not use credit earned in KCPH 120 to meet graduation requirements.) Formerly KCFA 261

  • Intermediate Photography (3)

    KCPH 220

    The refinement of black and white film exposure and darkroom techniques using the zone system. An introduction to studio and artificial lighting techniques as well as extensive work with manipulation of the photographic image. Subject matter and imagery will be emphasized, along with a continuation of the study of photographic history and aesthetics. Formerly KCFA 262

  • Digital Photography I (3)

    KCPH 225

    An introduction to photography’s digital tools: digital cameras, manipulation, and output. Exploration of consumer and pro-sumer level digital cameras and digital lighting considerations. Introduction to PhotoShop, especially image compositing and manipulation. An introduction to film and flatbed scanning, resolution, color correction and digital output. The aesthetics unique to the digital environment, as well as its history will be examined.

  • Color Photography (3)

    KCPH 230

    An extensive exploration of color photography with an emphasis placed on color negative printing. A study of color theory as it applies to light and film and the contemporary use of color by photographers. Content issues, as well as history, theory, and aesthetic approaches will be emphasized. Formerly KCFA 363

  • Lighting for Photography (3)

    KCPH 240

    An introduction to the fundamentals of using and modifying both ambient and studio lighting. This course includes the use of both hot and cold studio lighting for digital and analog photography, including color balancing the light source to specific films. Lighting theory and the history of studio photography will also be discussed. Formerly KCFA 264

  • Digital Photography II (3)

    KCPH 325

    Advanced digital capture, manipulation, and output with emphasis on digital workflow and color space management. Focus on the use of high-end digital cameras, scanning backs, drum scanners and film recorders for the production of giclee-type prints for exhibition. Discussion of archival issues as related to digital output.

  • Studio Photography (3)

    KCPH 340

    Using medium and large format cameras in the photo studio, especially for perspective control. Exposure control using the zone system. Lighting, posing and staging techniques that are used in classic studio photography including still life, models, food, and fashion. An examination of these classic techniques as applied to fine art photography.

  • Special Topics in Photography (3)

    KCPH 303

    Rotating topics in photography utilizing the specific skills and interest of the faculty, community professionals, and visiting artists. Topics may be subject oriented (such as landscape, portrait, documentary, or photojournalism), technique oriented (manipulated image, directorial mode, or alternative process), or issue oriented (visual semiotics, new topographies, etc.)

  • Photo Seminar (3)

    KCPH 310

    Reading, lecture, and discussion of classic and contemporary essays that outline the important areas of critical discourse in photography including philosophical and psychological theory.

  • Professional Photographic Practices (3)

    KCPH 410

    A range of practical, legal and ethical issues for the professional photographer including writing an artist’s statement, resumes, business promotional materials, marketing, small business practices, financial practices, and portfolio presentation. Emphasis will be placed on applying to juried shows and the production of a gallery exhibition.

  • Photography Thesis I (3)

    KCPH 430

    Emphasizes the production of a unified body of work emphasizing conceptual development and creative decision-making. Includes individual and group critiques. Formerly KCFA 403

  • Photography Thesis II (3)

    KCPH 460

    Emphasizes responsibility for the creation of a cohesive body of work that displays conceptual continuity and technical integrity. Includes individual and group critiques. The student is required to install a thesis exhibition to complete the BFA degree in photography. Formerly KCFA 460

• Art History

  Art History Elective (6)

  • Western Art I: Prehistoric through the Renaissance (3)

    KCAH 111

    An overview of the Western Art tradition from prehistory through the Renaissance using a socio-cultural methodology in a chronological framework. (Students who have earned credit for ARTH 110, Prehistoric through Middle Ages, may not use credit earned in KCAH 111 to meet graduation requirements.)

  • Western Art II: Baroque to the Present (3)

    KCAH 112

    A survey of Western art from the Baroque to the present, this course will continue building upon the foundation of Western Art I; prehistoric through the renaissance, using a socio-cultural methodology in a chronological framework. (Students who have earned credit for ARTH 111, Renaissance through 20th Century, may not use credit earned in KCAH 112 to meet graduation requirements.)

  • History of Photography (3)

    KCAH 316

    A study of photography as both a fine art and as documentary; at issue will be photography’s relationship to other arts, its impact on modern culture, and the impact of modern culture upon it.

• Liberal Arts and Sciences

  Science Elective (3)
  Math Elective (3)
  Humanities Elective (6)
  300/400 Humanities Elective (3)
  Social Science Elective (3)
  300/400 Social Science Elective (3)

  • Written Rhetoric (3)

    KCHU 120

    Written Rhetoric provides students with practice in the art of writing well. Students who successfully complete the course will demonstrate competence in critical thought and expression and in the composition of expository prose. They will use writing both as a tool for discovery and communication, and they will shape their communication in response to audience and purpose. (Students who have earned credit for ENGL 150, English I, may not use credit earned in KCHU 120 to meet graduation requirements.)

  • Oral Rhetoric (3)

    KCHU 121

    Oral Rhetoric provides students with the skills and confidence needed to speak effectively in formal presentations. Course concentrations include the examination and practice of oral rhetoric, building on skills in common with Written Rhetoric. (Students who have earned credit for COMM 121, Fundamentals of Public Speaking, may not use credit earned in KCHU 121 to meet graduation requirements.)

  • Advanced Rhetoric (3)

    KCHU 320

    Advanced Rhetoric provides students with practice in analyzing, developing, and organizing various forms of persuasive discourse, including written, oral, and visual. Building on the skills developed in the two prerequisites, students apply their understanding of rhetorical concepts to the study of various social issues and cultural texts.

• Studio Electives

  Studio Electives (15)

Download the catalog for the most recent course listings and prerequisites.